| We hope you enjoy your visit. You're currently viewing our forum as a guest. This means you are limited to certain areas of the board and there are some features you can't use. If you join our community, you'll be able to access member-only sections, and use many member-only features such as customizing your profile, sending personal messages, and voting in polls. Registration is simple, fast, and completely free. Join our community! If you're already a member please log in to your account to access all of our features. |
| Amp "Effects Loop" | |
|---|---|
| Topic Started: Oct 24 2009, 05:17 PM (263 Views) | |
| Rampant | Oct 24 2009, 05:17 PM Post #1 |
|
Immortal (well, ...so far!)
|
Can anyone enlighten me what the use of an effects loop is??? I mean, if you would normally use a pedal or effects in line between your guitar and amp, what is the benefit of a loop as part of an amp build??? Cheerz Mark H |
|
NEW - Scarlet red PRS Custom 24 (25th anniversary birds) Black/white Yamaha Pacifica 112V Translucent red Ibanez Artcore AFS-75T semi-acoustic Vox Valvetronix VT30 Roland Micro Cube travel amp Sensei called Johnny Oriental red sunburst Yamaha APX700 electro-acoustic | |
![]() |
|
| monwobobbo | Oct 24 2009, 10:08 PM Post #2 |
![]()
|
it cuts way down on noise as your not pumping it all thru the front end. time based effects tend to sound better in the fx loop as well. your finished signal gets the effect when in the loop (which is between the preamp and power section) you still need to put distortion based fx in the front end but most othe fx work better in the loop. |
| and now for something completely different | |
![]() |
|
| voodoorider | Oct 24 2009, 10:29 PM Post #3 |
|
Garry
|
+ 1
|
|
Guitars: PRS CU 22 R/W neck | Organic Classic | Heritage H-150 | Fender Eric Clapton Strat | Fender Deluxe Ash strat, scalloped | 2001 USA std Telecaster | 2008 USA std Telecaster | 1996 Gibson Les Paul standard | PRS Santana SE | Maverick X1 | Epiphone SG | Freshman FA400J Amps: Orange Rockerverb 50 | Mesa Boogie Electradyne | Traynor YCV40T | VOX AD60VT | Fender Pro 185 | Zoom Fire 15 | |
![]() |
|
| Rampant | Oct 25 2009, 10:22 AM Post #4 |
|
Immortal (well, ...so far!)
|
Yup - the penny dropped... All about the sequence or order of effects. Particularly if the amp has an o/d function. Some effects need to go in front of the o/d, while some should go after the o/d. Cheerz guys |
|
NEW - Scarlet red PRS Custom 24 (25th anniversary birds) Black/white Yamaha Pacifica 112V Translucent red Ibanez Artcore AFS-75T semi-acoustic Vox Valvetronix VT30 Roland Micro Cube travel amp Sensei called Johnny Oriental red sunburst Yamaha APX700 electro-acoustic | |
![]() |
|
| Muskratt | Oct 21 2011, 07:47 PM Post #5 |
|
Member
|
Old Thread I know but I can add this to future searchers.. Here is a good read for this topic. The Amp's Effects Loop There are many pedals and some do have specific placement that they work best in. Take like the Line 6 M5/M9/M13 takes many pedals and puts them in a logical unit that in theroy "all works together". You have your Distortions that do prefer to always be in the front end, "Guitar > Overdrive/Distortion > Amp Low/High Gain input. Then you have your others like the Modulations, Delays, Reverb's, & Filters that work best through loops in most cases. Other Pro technique's are doing 4CM (4 Cables Method) that gets complicated pending on your gear. You can then top things of with other devices such as A/B Switches and so forth to manipulate your setup. Enjoy! |
|
Epip Les Paul Custom Ibanez RG270 Modified PuP's Martin DX1AE Bugera 333XL 212 (JSX) Roland Cube 20 Line 6 M9 Stompbox Bad Monkey OD Beringer - EQ700 Boss DR-5 | |
![]() |
|
| « Previous Topic · Amplification · Next Topic » |
| Theme: EGF Light | Track Topic · E-mail Topic |
6:00 AM May 22
|
Hosted for free by ZetaBoards








6:00 AM May 22