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Your Signature Techniques
Topic Started: Jun 30 2006, 08:16 PM (1,366 Views)
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To whoever started the hairband thing, Michaelangelo Batio has a patent on a device called a string muter (I think). It looks like a capo, but i gues it has some sort of squishy foam on it. You can see it on the video for No Boundaries, teh Speed Kills version. And to whoever used the pick on the drill, Paul Gilbert has been doing that for years.

Sorry guys, its been done.

And won't the drill picking cause teh strings to snap much more quickly?
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+ Impure
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i use thick gauge strings so nope.
and yea i knew about angelo's string muter but there are cheaper ways to mute. me personally i don't like using any string muters, i'd rather mute by myself.
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Admin
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Guest
Jul 20 2006, 07:09 PM
To whoever started the hairband thing, Michaelangelo Batio has a patent on a device called a string muter (I think). It looks like a capo, but i gues it has some sort of squishy foam on it. You can see it on the video for No Boundaries, teh Speed Kills version. And to whoever used the pick on the drill, Paul Gilbert has been doing that for years.

Sorry guys, its been done.

And won't the drill picking cause teh strings to snap much more quickly?

it was actually a pick on a fan but hey.....

I didnt know that the hairband had been done :(

Also, you will have to join to post again, I had no idea guests could post on here, fixed now though :)
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+ Impure
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guitarplaya he was talking about the post where i said that i taped 3 jim dunlop jazz III picks to a drill.
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Snarf
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Quite a few people use some form of damping (like a hair tie), Bill Dickens par example. I did it a couple of times in the studio years ago too. It's useful if you're doing tapping, Satch styley.

The Mr Big live vid with Paul Gilbert doing the drill thing in one of the tracks (forget which now. Something to do with his dad, lover and stuff). He even had an endorsement with Makita. A drill endorsement for a guitarist!
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+ Trivium
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well first of all i have no idea what the guy above me is talking about, with that being said, i use a lot of tremolo picking, and if i need to go faster i use flat picking, where you use the edge of your pick(obviously i didnt invent either of these techniques). I also use weird scalar sequences, such as combining the harmonic minor scale with the blues scale,.ect. but i prolly didnt invent that either
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useless
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try one with a variable speed !!!

B)
everything seems normal here !
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ride-the-lightning
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Sliding up the neck and pick scratching at the same time.
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Utorak
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My signature techniqued would have to be including the chromatic scale with the use of circle of 5ths in any solo i write. Souly based on classical and Django style jazz.
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Mr. Blonde
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Getting a slide or any other metallic object and lightly tap the strings near the pickups with the edge, it will make weird sounds. Do Morello style toggle switch flicking as well that makes it sound even weirder.
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Custom1998
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I started using picks to tap aswell at the start, it started to destroy the mother of pearl, so i stopped. Using your finger in my opinion gives a much is much more versitile as it can give mellow sounds or really hard rocky sounds.
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zoidbergpsp
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I like to sustain chords right to the last second.. and sometimes cut them completey and u get this weird silence b4 the guitar exploades back into the beat with bass and drums.
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FocusShift
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Call me Stefan
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guitarplaya
Jun 30 2006, 08:39 PM
well, i thought i had some techniques of my own. Turnes out someone somewhere already uses them. I started tapping with my pick because I couldn't do it with my fingers and i thought that was my own invention. But it's not :(

I also use a hair tye thing arounf my head stock and pull it down to mute the strings when I'm tapping or played a solo. Works well, I don't know if somebody elese does it though


Pick tapping = Joe Satriani
The hair tie thing = Synyster Gates cos he sucks and can't mute his own strings live when he does his "insane" improvised solos. Look on a few youtube videos and you'll see it. It's useful if you're two-hand tapping cyclic patterns (e.g. Satch's 'Midnight') with a high distortion, but for the stuff he plays it's pathetic
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